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By that time Callas’s voice had shrunk and she or he definitely could not overwhelm Bergonzi’s (An even bigger audio than Di Stefano’s) while in the act 1 duet where you practically get the sensation that the producer has artificially blown up her seem which it’s possible Seems additional hollow than if he experienced Allow points gone bygone. Bergonzi presents an intensely musical interpretation, (hear the delicate G on Sei tu in Recondita), brimming with humour in the main act and vigour while in the third. But over again the best will not ring incredibly free of charge� The good news in the mean time was certainly that he now experienced discovered his way on EMI too and that the poor previous days of fifties-exclusivity seemed to be more than endlessly.
Just like all distinguished modern day singers, an auspicious amount of cassettes is circulating with in some cases appealing co-soloists hereby a small assortment. Of his Aida-performances You can find the younger Bergonzi inside of a Fulfilled-recording from 1957 with Curtis-Verna, Dalis and Merrill. More vital are his Andrea Ch�niers in the Achieved, two from 196O using a somewhat wooden Milanov As well as in not way too most effective a seem.
One of those popular Martini&Rossi-live shows (on Monday the 3Oth of January 196O). So This really is Bergonzi at his peak. But as these had been preferred concerts the singers brought their ideal acknowledged interpretations and as the orchestra often had to get its very own assortment, There may be not really Significantly new about the report; the truth is only Bergonzi’s wonderful singing of ‘M'appari’, which he never sang somewhere else.
In June ‘64 RCA asked Bergonzi to history this opera. Once the antics of Madame Corelli Along with the RCA-administration through the recording in the Karajan-Carmen, the most popular and bestselling tenor of the area was out on the concern. What’s more the opera was not in his repertoire and who is aware how madame Corelli might have blackmailed the organization this time. Rodolfo is a job just one quickly associates with Bergonzi, nevertheless it will take him A further seventeen yrs right after this recording to sing it in the house. In the meantime there had been some deserving revivals within the Fulfilled and La Scala, both showcasing Richard Tucker. So Typically Tucker should have been singing this part nevertheless he experienced currently been scheduled to sing Alvaro a single thirty day period later in The brand new RCA-Price tag-Forza. There he blew his candle when he still left the studio for two days to go to the circumcision of his very first grandson and RCA fired him once the completion of your recording. Tucker by no means recognized this harsh attitude by producer Richard Mohr as well as the RCA-administration. There is a lurking suspicion that Tucker’s momentary desertion was a pretext Mohr welcomed and that Bergonzi’s agreement one month before a trial by RCA to substitute Tucker by Bergonzi from the a long time in advance. Tucker experienced an immense Big apple -adhering to who could often be relied on to fill the Achieved but his recording charm outdoors the City was absolutely limited.
Other than the younger virile sound There’s another high-quality that endears him so much: just how he can colour incredibly compact phrases with indicating. His 'che pena’ and ‘non la destar’ in the final act go with almost any tenor (Despite Bj�rling) but with Bergonzi they stand out. One among the results of the new ultra-swift plan was that in ‘Addio fiorito asil’ he could not sing yet again his best Notice which is rather weak. Tebaldi and young Cossotto are superb. Enzo Sordello of Callas-clash-fame is way also throaty.
But..then there is this Stay recording. Bergonzi experienced just opened the Achieved and for the first time taken the substantial B pianissimo in a very somewhat imperfect way. Through the 7th of December 1963 he experienced more than enough observe and this time the B is a wonderful example of a messa di voce.
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Bergonzi’s weakness little by little but inexorably grew and is also currently Obviously perceptible In this particular recording of Puccini’s Flemish opera. It need not even so just take our Pleasure far from hearing The good tenor within an unpredicted job where by he remains to be peerless (resulting from not enough Level of competition far too).
Bergonzi has now been a tenor for all of a few months and of course it demonstrates within the baritonal high-quality in the voice however many of his unmistakably colors are already there so you will not mix him up with almost every other tenor. The strange issue will be the phrasing, the sort of singing.
Over again a Bergonzi-interpretation just before he sang the position to the scene. At some time there was quite a discussion while in the press as RCA at the exact same time brought out One more Rigoletto (Moffo, Kraus, Merrill). The DG-established gained on all factors but at present I� probably am much less positive. Moffo is presently in her gliding and sliding times nonetheless it disturbs me below Scotto’s needle-sharp Gilda. Dieskau’s Rigoletto is often a heartfelt generation (And that i normally preferred him extra in Italian opera than in lieder) but Merrill has the more apt voice. find more information